Anne WidjajaVerdict: Phoenix @ the Enmore Theatre 5/08/09
August 10th 2009 18:05
Starting with Lisztomania off the band's newest release Wolfgang Amadeus Phoenix, and the ecstatic mood of the crowd, I realised that Phoenix in their long stint as a band of more than 9 years have become pop masters. A heavier reliance on soaring keyboard melodies, more complex guitar riffs, thrilling drum beats and an upbeat bass line, equally matched with the uplifting and ridiculously smooth, yet flawlessly high pitch of Mars' vocals defines their new new energy that has developed into thick layering of melody in new tracks such as Lisztomania and Lasso. The synth origins of which can be traced back to the Daft Punk inspired track Funky Square Dance from album United, and we all know that these days a band adds synth to a track and you’ve created indie genius (it’s actually true in this case! perfect example of the right amount of synth). This sound was delightfully showcased in the band’s performance of the largely instrumental track Love like A Sunset PtI and II, showcasing a new length and breadth in the band’s new tracks that become explosively energetic when heard live. The melody and the riffs were intricately dense, particularly when seen played on stage by six musicians who executed their parts together to perfection. Major kootos to the guest drummer who did some serious playing under a spot light from time to time, a highlight from the restrictive movements of the other band members.
By the encore the crowd was hungry for more, perfect timing for fan favourites If I Ever Feel Better and Run Run Run, both of which were met with a perfect mimic of the lyrics by the audience. And boy, were those tracks smooth. Like butter in a pan or a dribbling baby, if you will. A perfect hybridisation of pop, rock and dare I say the lounge beats of rnb. Phoenix must also be accredited for the incredible warmth that they spread to the entirety of the Enmore theatre. The modesty and constant thanks of Mars and the wisely fan friendly set list sent the whole place into cool euphoria. Ending on the cracking 1901, which was stretched out in just the right places, you could tell the band knew exactly what they were doing, what the fans wanted, and it worked. Everyone in the place couldn't help but get smiley and get bopping. It was just good FUN. The band did little to actually warm up warm up the audience, which speaks volumes for how much the music alone was key in getting the audience involved in the show. They still looked a little stiff even when it seemed they were at their most comfortable. Must be that incredible rocking out their doing in their inner, super talented musical souls. And those super tight French jeans.
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